Banned Books Week: Debs Speak Loudly

Graphics from ALA

Last week I blogged about Wesley Scroggins editorial in which he called for the removal of Speak by Laurie Halse Anderson, “a book called Slaughterhouse Five” (’cause, yanno, you might not have heard of this Kurt Vonnegut guy) and Sarah Ockler’s Twenty Boy Summer from the schools and curriculum in his local schools. An editor’s note reported that superintendent of the Republic said that Twenty Boy Summer was under review, while Slaughterhouse Five had been removed from the curriculum.

I explained in my previous post why I think Ockler’s book is so amazing. Scroggins at best grossly misinterpreted it and, at worst, is purposefully misrepresenting it. Either way, we fellow Debs took this attack personally. But, organized by Saundra Mitchell, we are taking the high ground and we’re giving readers a chance to decide for themselves what they think about Sarah’s book. Debs Speak Loudly is a chance for you to win one of 100 copies of Twenty Boy Summer donated by us and Sarah’s publisher, Little Brown. So head over to the post and leave a comment — it’s as easy as that to enter!

Banned Books Week: They don’t ban books anymore do they?

Graphics from ALA

So, this week is Banned Books Week, which, according to the ALA’s website:

Banned Books Week (BBW) is an annual event celebrating the freedom to read and the importance of the First Amendment.  Held during the last week of September, Banned Books Week highlights the benefits of free and open access to information while drawing attention to the harms of censorship by spotlighting actual or attempted bannings of books across the United States.

Each year I celebrate BBW in my library. My favorite thing to do is to put paper covers over the books and write why they were banned on them. Inevitably, writing “Sexual content” or “Violence” or “explicit homosexual and heterosexual situations, profanity, underage drinking and smoking, extreme  moral shortcomings, child molesters, graphic pedophile situations and total lack of negative consequences throughout the book” makes teens pick them up. (That last one is for Augusten Burroughs Running with Scissors. Here’s the complete annotated list: Books Challenged and/or Banned – 2009-2010 (PDF))

My students often ask, “This was banned here?” and I explain that no, it was not banned in our school or library, but someone attempted to remove it from a school or library elsewhere. When they see books that they love and books that they are asked to read for school banned, it really makes them think.

Two things I probably don’t stress enough is that, although it is called Banned Books Week, in the United States it’s usually more about challenges. As the ALA site points out:

Fortunately, while some books were banned or restricted, in a majority of cases the books were not banned, all thanks to the efforts of librarians, teachers, booksellers, and members of the community to retain the books in the library collections.

However, book bannings do still happen in other countries, as well as the imprisonment of authors whose views don’t match those of their governments. The PEN’s Freedom to Write offers great information about how you can fight the silencing of writers worldwide.

Speak Loudly

Others who follow Laurie Halse Anderson’s blog will have read with dismay about the man in Missouri who equated her book, Speak, about a girl who is raped, with pornography. I am sure I cannot say as well as Laurie’s fans the power and impact of this book. She collected the responses into a poem which you can see her reading here:

I would also recommend you read Saundra Mitchell’s response to Scroggins opinion piece.

In addition to attacking Speak and classic Slaughterhouse Five (which he introduces as though his readers may not have heard of it), Scroggins sees fit to call filthy one of the more powerful books I read last year: Sarah Ockler’s Twenty Boy Summer. Ockler’s debut novel tells the story of Anna, who was secretly having a relationship with her best friend Anna’s older brother, Matt. After Matt dies, she is stricken with grief, but can’t speak about the depth of her pain. It is poignant and powerful, a thoughtful examination of grief and friendship. In his description, Scroggins gets some of the events right, but when he claims the book “glorifies” some of the things that go on — well, clearly he needs to learn how to read for nuance and tone.

Please support Laurie and Sarah. Please share your experiences as Laurie has asked. Let’s make our voices stronger than those who would silence us.